I had wept for a night and a day over my loss, ripped the cloth I was married in from my breasts, howled, shrieked, clawed at the burial stones until my hands bled, retched his name over and over again, dead, dead. Slept in a single cot, widow, one empty glove, white femur in the dust, half. Stuffed dark suits into black bags, shuffled in a dead man's shoes, noosed the double knot of a tie around my bare neck, gaunt nun in the mirror, touching herself. I learnt the Stations of Bereavement, the icon of my face in each bleak frame; but all those months he was going away from me, dwindling to the shrunk size of a snapshot, going, going.
Such notions born of myth and culturally-prized narratives serve to perpetuate the stereotypes that Rich argues contribute to female subjugation in a world of supposed equality.
The purpose of this essay is to demonstrate how Atwood and Duffy perform such acts of re-vision throughout the aforementioned poems, and the way in which notions of femininity, woven throughout Myth and social politics, are reflected in Literature.
One can argue that judging talent according to gender implies that segregation is essential and is therefore necessarily perpetuated. The debate over what is deemed a Canonical text is fuelled by the culturally-constructed regulations of gender politics, in which men and women are expected to behave in a manner suited to conventions of their sex.
Smiles based his work on the concepts of Empire and Englishness, creating historically-constructed ideologies of masculinity and using these theories to promote his quintessential notion of what a Man was.
Thus one comes to the concept of reinterpreting literary ideologies of gender. This fascination with the mythical god and goddess of gender is precisely what Margaret Atwood and Carol Ann Duffy seek to subvert in their works, exploring the depths of male voyeurism and the fruitless theories of perfection.
Manet used a courtesan to model for the painting, and perhaps Atwood saw this work as an example of realism in Nude portraits, the subject being an unashamed slightly arrogant woman devoid of the usual timidity in classic paintings of its style.
She is exploiting her own body to gain sexual dominance over her male audience, hence the second part of the quotation stating indefatigably that it is her form and not her mind that is being examined.
In this poem, Duffy subverts masculine authority so that it is the female model that is dominant; although the artist is commanding her, she is quietly superior, anticipating his thoughts and silently mocking him: Through this poem, Duffy portrays the metaphorical silencing of women throughout art and suggests that for men, the ideal woman is one who is passive and compliant.
Duffy includes this reference to accentuate the moment when the statue comes to life. In conclusion, Margaret Atwood and Carol Ann Duffy immortalise the women in the aforementioned works of art, through subverting female stereotypes and giving them a voice so that they may be remembered as women, and are not lost in the archives of art.
Selected Poetry London: Thames and Hudson, Essays on Women, Literature, and Theory ed.Choosing three more poems, comment on how Duffy uses humour to promote her viewpoint to the reader.
Three appropriate choices when Salome, Mrs Quasimodo and Eurydice.
Circe, Queen Kong and The Kray Sisters. 16 Uses historical events to place the poem. Focus on female/female relationships. Creates a sense of geographical place.
Carol Ann Duffy College Carol Ann Duffy wrote 'The World's Wife' in order to scrutinize the representation of both men and women, inspired by her strong feminist views -- reconstructing, for example, many of the 'voiceless women' from throughout history. - To what extent does Carol Ann Duffy’s poem ‘Medusa’ challenge stereotypical masculine and feminine attributes.
The World Wife anthology written by Carol Ann Duffy, challenges the established exemplification of prevailing characteristics found in both genders, in a patriarchal society. It looks like you've lost connection to our server.
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The poem Salome by Carol Ann Duffy focuses on the dangerous female seductiveness. The poem is interesting to both Feminist and Marxist. Feminist are particularly interested in this poem as Salome trys to overcome female stereotypes and a patriarchy society.